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Thursday, 08 April 2010

Ormond

When we think of women who revelotionized the music industry we think of women… more

 

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Abandon

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Xanthus

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Profile -Philmont

Philmont

here are many delightful contrasts running through rising pop punk/rock act Philmont. The Charlotte,.. more

Profile -kamal

kamal

Genre : Christian Rap/Blues

Joined on : Saturday, 03 April 2010

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The Benefit of Giving Away Music For Free PDF Print E-mail
Written by Administrator   
Wednesday, 28 December 2011 00:00

Anyone at all involved with music production and marketing will know that things have changed forever in the last few years, and continue to do so at what can be an alarming pace. People interested in selling their music face an uncertain market that seems to be still looking for the best method of dissemination considering problems like internet file sharing and illegal downloads.

 

What has become clear is that giving away music for free has to be at least part of a strategy for distributing music. Major artists frequently release free singles or even whole EPs to be downloaded by the masses. A few have even tried releasing their main albums for free or voluntary donations, with varying success. Sites have sprung up that offer free use music downloads or other similar campaigns, and there are sure to be more ideas coming into action every day.

 

What should be thought about is how to take advantage of the standards that have emerged and use them to your benefit. Trying to get people to be completely moral with regards to purchasing your music may be swimming against the current. Also, consider that the more free your music is, the more it will be promoted and exchanged automatically by people who like it. This is the most powerful form of promotion, because it costs you nothing in terms of time or money.

 

Since giving away music for free has such benefits, the question should be how to profit from doing so. This may seem like a strange proposition, but consider that many entire industries run by giving their service away for free, like television shows for example. They profit from the ads, not the viewers actually paying anything.

 

Advertisements are not the only way this can occur though, and someone interested in making some money from their art should start thinking about other ways. Donation based methods can work for some people, and they have the advantage of being easy to set up. One of the problems with this is that we have a culture who mostly just recognizes compulsory payments, and does not find virtue in donations to service providers.

 

Another method is to use the free dissemination of music to bring you other opportunities. Film composers may be interested in this method. For example, if you release your music for free and someone hears it who may be a filmmaker, your profit would occur down the line if they then ask you to score a film.

 

The bottom line is that things have changed and new methods of monetizing music have to be thought of. This will require some creativity and testing, but overall the internet has given selling power to more people than ever before, it just needs to be harnessed effectively.

 

March 5th, 2011. Music Marketing.
Last Updated on Wednesday, 28 December 2011 17:05
 
2012 PDF Print E-mail
Written by Administrator   
Wednesday, 28 December 2011 00:00

 

Happy New Year!

 

 

Wishing Everyone a Wonderful New Year! Cool

 

 

Last Updated on Wednesday, 28 December 2011 18:13
 
Learning Music-Day 11 PDF Print E-mail
Written by Administrator   
Wednesday, 28 December 2011 00:00

Yesterday I decided to try inputting a simple melody into GarageBand by playing it via my Akai MIDI controller. I’m still very new to this, so I came up with a very basic C-major tune, not much more complicated than Mary Had a Little Lamb, but it’s a start.

 

After a few practice runs — till I could stop screwing up and hitting the wrong notes — I was able to play and record the sequence into GarageBand. My timing wasn’t great, but it’s pretty easy to edit the notes in the software once they’re recorded.

 

Once I had the recording on screen, I spent a few minutes tweaking the timing and velocity of the notes till it sounded right to me. That part went just fine, and I was satisfied with the result.

 

Then I decided to try adding a few GarageBand loops to make it more interesting, starting with a basic drum track. I wanted to see if I could get my melody to mesh well with the drums. In fact, when I recorded the melody, I had the drums playing at the same time, so I could play along with the same rhythm.

 

Last Updated on Wednesday, 28 December 2011 17:09
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The Dark Secret on How to Sell Songs Online Part I PDF Print E-mail
Written by Administrator   
Wednesday, 28 December 2011 00:00

This is an article to familiarize everyone in the music business with the questions of how do I sell beats online, how do I sell songs, how do I make money with tracks, as well as how to sell instrumental songs. The music industry has changed greatly since the explosion of the internet. Power is now in the hands of individual producers and bands to make a living with their songs with a little hustle, know how, and a plan. We need to take a look about how companies work in order to formulate an approach to garner the attention of decision makers. This will be the first in a series of articles to get you on your way.

Last Updated on Wednesday, 28 December 2011 17:28
Read more...
 
How to Avoid Phasing When Recording PDF Print E-mail
Written by Administrator   
Wednesday, 28 December 2011 00:00

Sound, it must be remembered, is made up of a series of waves. Sound waves, like all waves, have peaks and troughs. The time between one peak and the next (or between any point on the wave and the next corresponding point) is one wave cycle.

 

When we record a sound source with two microphones in recording studios, those two microphones will pick up a similar wave pattern. However the difference in the placement of the microphones means that the waves are likely to be at a different point in their wave cycle when they reach the microphones. For example, microphone one might receive the peak of the wave at the same time microphone two receives the trough. The waves are now said to be out of phase.

 

In practical terms, this means a loss of sound information as the out of phase waves “cancel” each other out somewhat. The effect of phasing on sound is often described as “thin” or “weak”, and is not just a loss of volume.

 

This can be fixed simply with correct microphone placement. Most microphone preamps have a phase switch, which switches the phase of a microphone by 180 degrees (peaks become troughs and vice versa). Flick this switch. Now adjust the microphone placements until the sound is at its weakest. At this point they are as far out of phase as possible (in antiphase). Flick the switch again. Your microphones should be perfectly in phase!

 

About the Author: Sound Soution is a professional London recording studio that caters to many different styles of music from folk to dubstep. Visit us at www.soundsolutionmastering.com

 

December 5th, 2011. Music Production.
Last Updated on Wednesday, 28 December 2011 17:11
 


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